Cover art for "The Sound Check"
Heat level 3 of 52 min readFree

The Sound Check

by Elara Voss

Three hours alone before showtime. Danny's been her friend forever—but tonight the sound check changes everything.


*Genre: Live Music / Confessional*

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Okay, so I need to tell someone about this before I explode.

You know how Danny's been playing the Anchor Room on and off since forever? That little shoebox venue on Clement that smells like spilled IPA and old carpet no matter how many times they mop? I've helped him load in probably a dozen times. It's just what you do for your friends.

Last Thursday was different.

We got there at seven for a ten o'clock show, which meant three hours of just us and the sound guy, except the sound guy texted at seven-fifteen saying his car wouldn't start and he'd be there by nine. Danny was annoyed. I was *not* complaining.

The house lights were about thirty percent — that amber-ish half-dark they leave on during setup, warm enough to see but dim enough that everything looks a little cinematic. The amps were already humming, that low electrical presence you feel in your back teeth. The sticky floor. The smell of the place. I've always loved it, honestly. There's something about a room that holds that much accumulated noise.

Danny was adjusting his vocal mic, tilting the stand, and I walked up to hold the base steady because it kept sliding on the stage surface. He looked down at me — he's taller, the stage made it more so — and something in his expression shifted. I noticed because I've been trying *not* to notice things like that for approximately two years.

"Hey," he said. That's it. Just *hey*.

"Hey," I said back.

He stepped down off the stage.

What happened next was not rushed. That's the thing I keep coming back to. He tucked a piece of hair behind my ear and asked, quiet, "Is this okay?" and I said yes before he finished the sentence. We kissed against the mic stand, which swayed and clattered sideways, and we both laughed, which made it better, not worse.

He pulled me up onto the stage. We ended up on the floor behind his amp, which sounds unglamorous, and it was — the stage surface was hard, there were cable ties digging into my knee at one point — but I didn't care. He was careful and attentive in a way that surprised me, checking in, watching my face. I had my fingers in his hair when he went down on me, the amp vibrating faintly against my spine, those low stage lights making everything gold and strange. I came with my hand pressed over my own mouth out of pure reflex, forgetting there was no one else in the building.

Afterward he was inside me with his forehead against my temple, both of us quiet except for breathing, and I thought *this is the most I've ever liked this room.*

We were dressed and doing an actual line check when the sound guy arrived at eight-fifty. He asked if we'd eaten because we "seemed weirdly calm." Danny said we'd grabbed something down the street.

I have not told Danny I'm writing this.

I'm going to help him load in again on Saturday.

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